• Medientyp: Buch; unbewegtes Bild; Ausstellungskatalog
  • Titel: Malevich : [Exhibition Malevich, The Eyal Ofer Galleries, Tate Modern, London 16 July - 26 October 2014, also shown at the Stedelijk Museum, Amsterdam 18 October 2013 - 2 February 2014, Art and Exhibition Hall of the Federal Republik of Germany, Bonn 8 March - 22 June 2014]
  • Enthält: An icon for a modern age / Achim Borchardt-Hume
    Malevich: becoming Russian / John Milner
    Language, space and abstraction / Masha Chlenova
    Malevich as exhibition maker / Christina Lodder
    Colour masses / Nicholas Cullinan
    Suprematism in the street: Malevich in Vitebsk / Iria Candela
    Architecture as such / Maria Gough
    Charting modernism: Malevich's research tables / Maria Kokkori and Alexander Bouras
    From suprematism to supranaturalism: Malevich's late works / Evgenia Petrova.
  • Beteiligte: Malevič, Kazimir [Ill.]; Borchardt-Hume, Achim [Hrsg.]; Bouras, Alexander [Sonstige Person, Familie und Körperschaft]
  • Körperschaft: Tate Modern ; Stedelijk Museum Amsterdam ; Bundeskunsthalle
  • Veranstaltung: Exhibition Malevich
  • Erschienen: London: Tate Publishing, 2014
  • Umfang: 264 S; zahlr. Ill; 27 cm
  • Sprache: Englisch
  • ISBN: 1849761469; 9781849761468
  • RVK-Notation: LI 55870 : Malewitsch, Kasimir
  • Schlagwörter: Malevič, Kazimir
  • Entstehung:
  • Anmerkungen: Includes bibliographical references and index
  • Beschreibung: Russian-born Kazimir Malevich (1879-1935) was Russia's most influential avant-garde artist, a key figure in a succession of art movements in the early 20th century. In the 1930s his work was banned in the Soviet Union after the Stalinist regime labelled abstract art as bourgeois. He then developed a new kind of figuration, still with the sole aim of communicating his theories about the nature of art. This publication accompanies a unique retrospective of one of the founders of abstract art

    "This lavishly illustrated publication sheds new light on Malevich's remarkable career, from his participation in the quest for a new society to his confrontation with the Stalinist regime. Groundbreaking essays by prominent curators and art historians explore every aspect of his output--from his early paintings of Russian landscapes, agricultural workers and religious scenes to his dramatic step into abstraction and his much-debated return to figurative painting in later life. The artist's collaborative involvement with architecture and design is investigated, as well as his temporary abandonment of painting in favour of teaching and writing."--Back cover

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