Mithlo, Nancy Marie
[HerausgeberIn];
Poolaw, Horace
[Sonstige Person, Familie und Körperschaft]
;
National Museum of the American Indian,
Exhibition For a Love of His People: The Photography of Horace Poolaw 2014 New York, NY
For a love of his people
: the photography of Horace Poolaw ; [in conjunction with the Exhibition For a Love of His People: The Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014]
- [1. ed.]
Titel:
For a love of his people
:
the photography of Horace Poolaw ; [in conjunction with the Exhibition For a Love of His People: The Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014]
Enthält:
Foreword
/ Kevin Gover and Tim JohnsonPreface: Family Pictures/Family Stories / Martha Sandweiss
Introduction: The Transcendence of the Everyday
/ John Haworth
Insider Knowledge
/ Tom Jones
"An Age of Pictures More than Words" : Theorizing Early American Indian Photography
/ Ned Blackhawk
Breaking the Bounds of Documentation
/ David Grant Noble
For a Love of His People
/ Linda Poolaw
Reflections
/ Richard Ray Whitman
Why Horace Poolaw's Indians Won't Vanish
/ David W. Penney
Horace Poolaw : "Pictures by an Indian"
/ Nancy Marie Mithlo
Fancy
/ John Poolaw
Planes, Flags, and Automobiles : Horace Poolaw's American Legacy
/ Cheryl Finley
Beaded Buckskins and Bad-Girl Bobs : Kiowa Female Identity, Industry, and Activism in Horace Poolaw's Portraits
/ Laura Smith
Justin Poolaw Comes to Visit [+ untitled reflections]
/ Vanessa Jennings
Afterword ; This is My Family
/ Dane Poolaw
Appendix A: Horace Poolaw Biography
/ Laura Smith
Appendix B: Kiowa names and their phonetic spellings ; Checklist ; Contributors.
Erschienen:
Washington, DC; New York: National Museum of the American Indian, Smithsonian Institution, 2014 New Haven; London: Yale University Press, 2014
Erschienen in:The Henry Roe Cloud series on American Indians and modernity
Anmerkungen:
"This volume [is] a companion piece to the National Museum of the American Indian (NMAI) exhibition ... ; [it] represents the only major publication of Horace Poolaw's work and celebrates the first retrospective exhibition of his photographs in almost twenty-five years"--Foreword. - Published in conjunction with the exhibition For a Love of His People: the Photography of Horace Poolaw, opening at the National Museum of the American Indian, New York, on August 9, 2014. - Includes bibliographical references (pages 169-174) and index
Beschreibung:
"Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--
"Horace Poolaw (Kiowa, 1906-84) was born during a time of great change for his American Indian people as they balanced age-old traditions with the influences of mainstream America. A rare American Indian photographer who documented Indian subjects, Poolaw began making a visual history in the mid-1920s and continued for the next fifty years. When he sold his photos, he often stamped the reverse: 'A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.' Not simply by 'an Indian,' but a Kiowa man strongly rooted in his multi-tribal community, Poolaw's work celebrates his subjects' place in American life and preserves an insider's perspective on a world few outsiders are familiar with--the Native America of the southern plains during the mid-twentieth century. [This book] is based on the Poolaw Photography Project, a research initiative established by Poolaw's daughter Linda in 1989 at Stanford University and carried on by Native scholars Nancy Marie Mithlo (Chiricahua Apache) and Tom Jones (Ho-Chunk) of the University of Wisconsin-Madison"--