Enthält:
Marzena Sokolowska-Paryz and Martin Löschnigg: Introduction: "Have you forgotten yet?""Entrenched" Perspectives: The Legacy of the Great War. Margot Norris: Revisiting All Quiet on the Western Front -- Caroline Perret: Wilfred Owen and His War Poetry in Wilfred Owen: A Remembrance Tale and Regeneration/Behind the Lines -- Ross J. Wilson: It Still Goes On: Trauma and the Memory of the First World War -- Marlene A. Briggs: Working Through the Working-Class War: The Battle of the Somme in Contemporary British Literature by Alan Sillitoe and Ted Hughes -- Paul Skrebels: A Poisonous Paradox: Representations of Gas Warfare in Post-Memory Films of the Great War -- Ty Hawkins: The Great War, the Iraq War, and Postmodern America -- Kevin Powers: The Yellow Birds and the Radical Isolation of Today's U.S. Veterans -- The Challenge of Form: How to "Remember" the Great War. Thomas F. Schneider: The Two "All Quiets": Representations of Modern Warfare in the Film Adaptations of Erich Maria Remarque's Im Westen nichts Neues -- Marek Paryz: "I shall lie broken against this broken earth": William March's Company K on the Screen -- Michael Paris: The Great War and British Docudrama: The Somme, My Boy Jack and Walter's War -- Martin Löschnigg: "Like dying on a stage": Theatricality and Remembrance in Anglo-Canadian Drama on the First World War -- David Malcolm:The Great War Re-Remembered: Allohistory and Allohistorical Fiction -- Phil Fitzsimmons and Daniel Reynaud: Comics/Graphic Novels/Bandes Dessinées and the Representation of the Great War -- Jean Anderson: What Price Justice? French Crime Fiction and the Great War -- Identities: The Great War and National Post-Memories. Sherrill Grace: Remembering The Wars -- Hanna Teichler: Joseph Boyden's Three Day Road: Transcultural (Post-)Memory and Identity in Canadian World War I Fiction -- Christina Spittel: Nostalgia for the Nation? The First World War in Australian Novels of the 1970s and 1980s -- Clare Rhoden: Even More Australian: Australian Great War Novels in the Twenty-First Century -- Daniel Reynaud: National Versions of the Great War: Modern Australian Anzac Cinema -- Richard Slotkin: The "Lost Battalion" of the Argonne and the Origin of the Platoon Movie: Race, Ethnicity, and the Transformation of American Nationality -- Maurizio Cinquegrani: Place, Time and Memory in Italian Cinema of the Great War -- Marzena Sokolowska-Paryz: The Great War and the Easter Rising in Tom Phelan's The Canal Bridge: A Literary Response to the Politics of Commemoration in Ireland -- Angela Brintlinger: The Great War through "Great October": 1914/1917 in Russian Memory -- Interrogations: Cross-Cultural and Trans-Historical (Re) Interpretations of the Great War. Geert Buelens: They wouldn't end it with any of us alive, now would they?: The First World War in Cold War Era Films -- Richard Smith: Post-Colonial Melancholia and the Representation of West Indian Volunteers in the British Great War Televisual Memory -- Anne Samson: Fictional Accounts of the East Africa Campaign -- Alicia Fahey: Voices From the Edge: De-Centering Master Narratives in Jane Urquhart's The Stone Carvers -- Brigitte Johanna Glaser : Women and World War I: "Postcolonial" Imaginative Rewritings of the Great War.
Beschreibung:
Marzena Sokolowska-Paryz and Martin Löschnigg: Introduction: "Have you forgotten yet?" -- "Entrenched" Perspectives: The Legacy of the Great War. Margot Norris: Revisiting All Quiet on the Western Front -- Caroline Perret: Wilfred Owen and His War Poetry in Wilfred Owen: A Remembrance Tale and Regeneration/Behind the Lines -- Ross J. Wilson: It Still Goes On: Trauma and the Memory of the First World War -- Marlene A. Briggs: Working Through the Working-Class War: The Battle of the Somme in Contemporary British Literature by Alan Sillitoe and Ted Hughes -- Paul Skrebels: A Poisonous Paradox: Representations of Gas Warfare in Post-Memory Films of the Great War -- Ty Hawkins: The Great War, the Iraq War, and Postmodern America -- Kevin Powers: The Yellow Birds and the Radical Isolation of Today's U.S. Veterans -- The Challenge of Form: How to "Remember" the Great War. Thomas F. Schneider: The Two "All Quiets": Representations of Modern Warfare in the Film Adaptations of Erich Maria Remarque's Im Westen nichts Neues -- Marek Paryz: "I shall lie broken against this broken earth": William March's Company K on the Screen -- Michael Paris: The Great War and British Docudrama: The Somme, My Boy Jack and Walter's War -- Martin Löschnigg: "Like dying on a stage": Theatricality and Remembrance in Anglo-Canadian Drama on the First World War -- David Malcolm: The Great War Re-Remembered: Allohistory and Allohistorical Fiction -- Phil Fitzsimmons and Daniel Reynaud: Comics/Graphic Novels/Bandes Dessinées and the Representation of the Great War -- Jean Anderson: What Price Justice? French Crime Fiction and the Great War -- Identities: The Great War and National Post-Memories. Sherrill Grace: Remembering The Wars -- Hanna Teichler: Joseph Boyden's Three Day Road: Transcultural (Post-)Memory and Identity in Canadian World War I Fiction -- Christina Spittel: Nostalgia for the Nation? The First World War in Australian Novels of the 1970s and 1980s -- Clare Rhoden: Even More Australian: Australian Great War Novels in the Twenty-First Century -- Daniel Reynaud: National Versions of the Great War: Modern Australian Anzac Cinema -- Richard Slotkin: The "Lost Battalion" of the Argonne and the Origin of the Platoon Movie: Race, Ethnicity, and the Transformation of American Nationality -- Maurizio Cinquegrani: Place, Time and Memory in Italian Cinema of the Great War -- Marzena Sokolowska-Paryz: The Great War and the Easter Rising in Tom Phelan's The Canal Bridge: A Literary Response to the Politics of Commemoration in Ireland -- Angela Brintlinger: The Great War through "Great October": 1914/1917 in Russian Memory -- Interrogations: Cross-Cultural and Trans-Historical (Re) Interpretations of the Great War. Geert Buelens: They wouldn't end it with any of us alive, now would they?: The First World War in Cold War Era Films -- Richard Smith: Post-Colonial Melancholia and the Representation of West Indian Volunteers in the British Great War Televisual Memory -- Anne Samson: Fictional Accounts of the East Africa Campaign -- Alicia Fahey: Voices From the Edge: De-Centering Master Narratives in Jane Urquhart's The Stone Carvers -- Brigitte Johanna Glaser: Women and World War I: "Postcolonial" Imaginative Rewritings of the Great War