• Medientyp: Buch; unbewegtes Bild
  • Titel: Turquerie : an eighteenth-century European fantasy
  • Enthält: Europe and Constantinople after 1453Connections in the 18th century -- Playing the Turk in Europe -- Reflections of the Ottoman world in European painting -- Tents and other structures -- Evoking the Ottoman world in European interiors -- Conjuring up the Ottoman world in European applied arts -- Continuity and change in the 19th century.
  • Beteiligte: Williams, Haydn [VerfasserIn]
  • Erschienen: New York, NY: Thames & Hudson, 2014
  • Umfang: 239 S; zahlr. Ill; 31 cm
  • Sprache: Englisch
  • ISBN: 0500252068; 9780500252062
  • RVK-Notation: LH 65760 : Barock, Rokoko
    LH 65020 : Gesamtdarstellungen mit Beschränkung auf ein bestimmtes Thema (z.B. Figurdarstellung, soweit verschiedene Kunstgattungen übergreifend)
    NN 8065 : Osmanisches Reich
  • Schlagwörter: Europa > Orientalismus > Osmanisches Reich > Kunst > Geschichte 1700-1800
  • Entstehung:
  • Anmerkungen: Includes bibliographical references (pages 225-229) and index
    Hier auch später erschienene, unveränderte Nachdrucke
  • Beschreibung: This is the first book ... to identify the key elements of what in our own time has become a popular and collectable area of the fine art and decorative arts: turquerie. With the arrival of Ottoman embassies and their elaborate entourages at the courts of Europe in the early eighteenth century, a fascination with all things Turkish took hold among royalty and aristocracy that lasted until the French Revolution. Turbaned figures appeared in paintings, as ceramic figures, and on the stage; tented boudoirs became the rage; and crossed crescents, palm trees, and camels featured on wall panels, furniture, and enamel boxes. Here Haydn Williams, an expert on the decorative arts, shows how it was a theme that sparked varied responses in different places. Its most intense and long-lasting expression was in France, but its reach was broad-from a pavilion built by Catherine II in Russia to the Turkish tents erected along the Elbe to celebrate a royal marriage in Dresden in 1719; from an ivory statuette of a janissary created for King Augustus II of Poland to the costumes worn for a carnival celebration in Rome in 1748.--Provided by publisher

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