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Whitechapel Art Gallery, Contemporary Art Society

The best is not too good for you : new approaches to public collections in England ; [... on the occasion of the following series of displays held at the Whitechapel Gallery : Nothing Beautiful Unless Useful, 17 September - 1 December 2013, Damn Braces: Bless Relaxes, 10 December 2013 - 9 March 2014, The Best is Not Too Food for You, 18 March - 1 June 2014 ...]

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  • Medientyp: Buch; unbewegtes Bild; Ausstellungskatalog; Bildband
  • Titel: The best is not too good for you : new approaches to public collections in England ; [... on the occasion of the following series of displays held at the Whitechapel Gallery : Nothing Beautiful Unless Useful, 17 September - 1 December 2013, Damn Braces: Bless Relaxes, 10 December 2013 - 9 March 2014, The Best is Not Too Food for You, 18 March - 1 June 2014 ...]
  • Weitere Titel: Nebentitel: Nothing beautiful unless useful. - Damn braces. - Twixt two worlds
    Früherer Titel: Nothing beautiful unless useful
    Früherer Titel: Damn braces
    Früherer Titel: Twixt two worlds
  • Körperschaft: Whitechapel Art Gallery ; Contemporary Art Society
  • Erschienen: London: Contemporary Art Society, 2014
  • Umfang: 127 S.; zahlr. Ill; 28 cm
  • Sprache: Englisch
  • ISBN: 0854882294; 9780854882298
  • RVK-Notation: LH 60400 : Kunstsammeln
    LO 50095 : 20. Jahrhundert insgesamt
    LO 50098 : 21. Jahrhundert
  • Schlagwörter: Großbritannien > Kunst > Sammlung > Regionalmuseum > Mäzenatentum > Geschichte 1900-2014
  • Entstehung:
  • Anmerkungen: Published by the Contemporary Art Society and Whitechapel Gallery on the occasion of the following series of displays held at the Whitechapel Gallery : Nothing Beautiful Unless Useful, 17 September - 1 December 2013 ; Damn Braces : Bless Relaxes, 10 December 2013 - 9 March 2014 ; The Best is Not Too Food for You, 18 March - 1 June 2014 ; Twixt Two Worlds, 11 June - 31 August 2014
  • Beschreibung: "The role of philanthropy in public collections across the UK is explored in this landmark collaboration between the Contemporary Art Society and the Whitechapel Gallery. Drawing on the collections of regional museums, art and social reform, subjective notions of value, and the individual's relationship to collections are debated and explored. Ceramics and Pop Art sit in these pages alongside magic lanterns, demarcating the early origins of cinema, before moving on to an exploration of new technologies. Documenting four unique exhibitions at the Whitechapel Gallery over the course of a year, this publication includes newly commissioned texts exploring the complexity of collecting, exhibiting and curating in England today. With contributions from: Anna Colin, Matthew Darbyshire, Helen Kaplinsky, Helen Rees Leahy, Ingrid Swenson and Gaia Tedone." -- Back cover

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