• Medientyp: Buch; unbewegtes Bild; Ausstellungskatalog; Bildband
  • Titel: Modernism and memory : Rhoda Pritzker and the art of collecting
  • Enthält: Rhoda / Margo HowardHome Thoughts from Abroad : Rhoda Pritzker's Life in Art / Ian Collins -- Rhoda Pritzker : The Collection and its Context / Frances Spalding -- 'Characters in search of an author' : The Single-Figure Study and the Pritzker Collection / Samuel Shaw -- Open Air for Living In : The Postwar Generation of British Sculptors / Eric M. Stryker.
  • Beteiligte: Collins, Ian [HerausgeberIn]; Hughes, Eleanor [HerausgeberIn]; Pritzker, Rhoda [Sonstige Person, Familie und Körperschaft]
  • Körperschaft: Yale Center for British Art ; Yale Center for British Art
  • Erschienen: New Haven: Yale Center for British Art, [2016]
  • Umfang: 221 Seiten; Illustrationen
  • Sprache: Englisch
  • ISBN: 9780300214871; 9780930606008
  • RVK-Notation: LH 65820 : allgemein
  • Schlagwörter: Pritzker, Rhoda > Sammlung > Großbritannien > Kunst > Geschichte 1915-1970
  • Entstehung:
  • Anmerkungen: Includes index
    Vorletzteseite: "This publication accompanies the exhibition Modernism and Memory: Rhoda Pritzker and the Art of Collecting, organized by the Yale Center for British Art, New Haven, and on view March 28 to May 22, 2016."
  • Beschreibung: This book is a glorious celebration of Rhoda Pritzker’s collection of 20th-century British art, much of which has been donated to the Yale Center for British Art. Pritzker, who was born in Manchester in1914 and emigrated to the United States during the Blitz, was an avid and daring collector of paintings, sculptures, and drawings. Keen to support artists whose reputations were still emerging, and loyal to no single school or style, she developed a unique and impressively diverse collection. While Pritzker most actively purchased pieces in the 1950s and 1960s, her collection offers a fascinating window onto postwar artistic production. Beautifully illustrated, this catalogue features a number of unpublished works and archival materials. Among the artists discussed are key figures, including L. S. Lowry, Barbara Hepworth, Anthony Caro, and Henry Moore, as well as lesser-known artists. The texts elucidate the factors that made Pritzker’s method of collecting so singular—namely her relationship to an evolving transatlantic artistic community and the deeply personal nature of the works she procured.

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