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Medientyp:
Buch
Titel:
Rethinking Schubert
Enthält:
Is there a late style in Schubert's Oeuvre? / Hans-Joachim HinrichsenCompositional strategies of late Schubert / Walter Dürr -- Franz Schubert's 'New style' and the legacy of Beethoven / William Kinderman -- From song to instrumental style : some Schubert 'Fingerprints' / Susan Wollenberg -- The sensual as a constructive element in Schubert's late works / Brian Black -- The myth of the 'Unfinished'? / Andrea Lindmayr-Brandl -- Narrative dislocations in the first movement of Schubert's 'Unfinished' symphony / Xavier Hascher -- Reappraising Schubert's 'Reliquie' : precedents, the 'Great' symphony and narrative / Cameron Gardner -- 'Records of inspiration' : Schubert's drafts for the last three piano sonatas reappraised / Anne Hyland and Walburga Litschauer -- Musical causality in Schubert's piano sonata D. 959, first movement / Julian Caskel -- Conspicuous 6-phase chords in the closing movement of Schubert's piano sonata in B flat major, D. 960 / David Damschroder -- Schubert, popular music, and melancholy / Leon Plantinga -- Axial lyric space in two late songs : 'Im Freien' and 'Der Winterabend' / Michael Spitzer -- Schubert through a neo-riemannian lens / Suzannah Clark -- Contextual processes in Schubert's late church music / James Sobaskie -- Elusive intimacy in Schubert's final opera, Der Graf von Gleichen / Lisa Feurzeig -- The wanderer's chromatic journey in Schubert's Winterreise / Deborah Stein -- Dissociation and declamation in Schubert's Heine songs / David Ferris -- 'The messenger of a faithful heart' : reassessing the role of 'Die Taubenpost' in Schubert's Schwanengesang / Richard Giarusso -- Disability, self-critique, and failure in Schubert's 'Der Doppelgänger' / Benjamin Binder -- Challenging the context : reception and transformation in Schubert's 'Der Musensohn', D. 764, op. 92, no.1 / Lorraine Byrne Bodley -- Mayrhofer's 'Der Einsame' : a gauntlet thrown : Schubert's 'Einsamkeit', D. 620, and Beethoven's 'An die ferne Geliebte' / Susan Youens.
Beschreibung:
Is there a late style in Schubert's Oeuvre? / Hans-Joachim Hinrichsen -- Compositional strategies of late Schubert / Walter Dürr -- Franz Schubert's 'New style' and the legacy of Beethoven / William Kinderman -- From song to instrumental style : some Schubert 'Fingerprints' / Susan Wollenberg -- The sensual as a constructive element in Schubert's late works / Brian Black -- The myth of the 'Unfinished'? / Andrea Lindmayr-Brandl -- Narrative dislocations in the first movement of Schubert's 'Unfinished' symphony / Xavier Hascher -- Reappraising Schubert's 'Reliquie' : precedents, the 'Great' symphony and narrative / Cameron Gardner -- 'Records of inspiration' : Schubert's drafts for the last three piano sonatas reappraised / Anne Hyland and Walburga Litschauer -- Musical causality in Schubert's piano sonata D. 959, first movement / Julian Caskel -- Conspicuous 6-phase chords in the closing movement of Schubert's piano sonata in B flat major, D. 960 / David Damschroder -- Schubert, popular music, and melancholy / Leon Plantinga -- Axial lyric space in two late songs : 'Im Freien' and 'Der Winterabend' / Michael Spitzer -- Schubert through a neo-riemannian lens / Suzannah Clark -- Contextual processes in Schubert's late church music / James Sobaskie -- Elusive intimacy in Schubert's final opera, Der Graf von Gleichen / Lisa Feurzeig -- The wanderer's chromatic journey in Schubert's Winterreise / Deborah Stein -- Dissociation and declamation in Schubert's Heine songs / David Ferris -- 'The messenger of a faithful heart' : reassessing the role of 'Die Taubenpost' in Schubert's Schwanengesang / Richard Giarusso -- Disability, self-critique, and failure in Schubert's 'Der Doppelgänger' / Benjamin Binder -- Challenging the context : reception and transformation in Schubert's 'Der Musensohn', D. 764, op. 92, no.1 / Lorraine Byrne Bodley -- Mayrhofer's 'Der Einsame' : a gauntlet thrown : Schubert's 'Einsamkeit', D. 620, and Beethoven's 'An die ferne Geliebte' / Susan Youens