Eetvelde, Catharina van
[KünstlerIn]
;
Haldemann, Anita
[VerfasserIn von ergänzendem Text];
Sécardin, Olivier
[VerfasserIn von ergänzendem Text];
Burg, Tobias
[VerfasserIn von ergänzendem Text]Kunstmuseum Basel,
Museum Folkwang,
Kehrer Verlag
Weitere Titel:
Impressum: "Diese Publikation erscheint anlässlich der Ausstellung 'Catharina van Eetvelde, Ilk', Kunstmuseum Basel, 26.11.2016-12.03.2017, Museum Folkwang, 29.09.2017-14.01.2018"
Beschreibung:
Since 2004, Catharina van Eetvelde (b. 1967, Ghent) has been developing an exceptional and pathbreaking stance on drawing. For the artist--who now resides in Paris--drawing has always constituted the foundation of her work, but she does not understand drawing as an activity bound exclusively by the medium of paper. Rather, drawing is the way in which she relates to the world, and in particular to the natural sciences. Using an approach that is downright anthropological, the artist analyses and investigates how the natural sciences shape our lives and our conceptions. Against the seemingly unimpeachable authority of science, van Eetvelde sets her art--a chaotic system that cannot be predicted or steered. After she began to engage with the catastrophe at Fukushima as part of an interdisciplinary project in 2011, the concept of material became of central importance. Since that time, she has frequently developed her drawings and collages into entire assemblages out of the most varied material. What lies behind this is the question of the connection between all things and all living beings. She designates this similarity with the Old English term 'ilk', which provided the title for this exhibition. Exhibition: Kunstmuseum Basel, Germany (26.11.2016-12.03.2017). / Museum Folkwang, Essen, Germany (29.09.2017-14.01.2018)
Catharina van Eetvelde : maker of lines / Anita Haldemann -- Im dialog mit der Welt : Catharina van Eetveldes Zeichnungen = In dialogue with the world : Catharina van Eetvelde's drawings / Tobias Burg -- Die Anstrengung und das Exakte = Effort and the exactitude / Olivier Sécardin