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Medientyp:
Buch
Titel:
Music and war in Europe from the French Revolution to WWI
Enthält:
The sound of war. What scenes! What sounds : some remarks on soundscapes in war times
/ Martin Kaltenecker ; Music during battle, representation and reality : the case of the great Highland bagpipe in the nineteenth century
Military and political music. Music for cannons : Giuseppe Sarti in the Second Turkish War ; Italienische Schlactenmusiken zu Napoleon Bonaparte : Die Schlacht von Marengo
/ Stephanie Klauk ; Milan and the music of political transitions in the Napoleonic period : The case of Ambrogio Minoja (1752-1825) ; Military music and rebellion, Ireland : 1793 to 1816
Publishing and teaching music during wartime. European music publishing during the Napoleonic wars
/ David Rowland ; Les relations commerciales de Jean-Jérôme Imbault d'après l'acte de vente du 14 juillet 1812
Echoes of war in the repertoire. L'influence de la guerre sur le répertoire d'opéra-comique pendant la Révolution
/ Maxime Margollé ; Battle and siege in the opera of the French Revolution and in the Napoleonic Era
Mourning. Ties that bind : music, mourning, and the development of intimacy and alternative kinship networks in World War I-era France
/ Jillian Rogers.
Beschreibung:
This book investigates the relationship between music and war from the end of the XVIII century to WWI. 0The centennial commemorations of the Great War in 2014 have yielded significant research on the relationship between music and this first world-wide conflict. Thanks to several conferences and publications, our knowledge about the musical repertoire played on the home front, the musical practices of the soldiers, or the war?s impact on European musical life, is expanding. While joining the efforts to enlighten this particularly little-known period of music history, this book aims to investigate that relationship by adopting a larger time-span: from the end of eighteenth century until the outbreak of the First World War. What kind of connections can be found between music, musicians or the musical economy (editions, the circulation of scores, opera and concert programming, professionalisation) and the different conflicts that would tear the European continent apart? Bringing together more than twenty case studies dealing with several European wars, this volume also investigates the evolution of the perception of the sound of war (by Martin Kaltenecker), and proposes new perspectives based on recent 20th-century music and war studies