• Medientyp: Buch; unbewegtes Bild; Ausstellungskatalog
  • Titel: Vermeer and the masters of genre painting : inspiration and rivalry
  • Beteiligte: Vermeer van Delft, Jan [KünstlerIn]; Waiboer, Adriaan E. [HerausgeberIn]; Wheelock, Arthur K. [HerausgeberIn]; Ducos, Blaise [HerausgeberIn]; Bakker, Piet [VerfasserIn von ergänzendem Text]; Buvelot, Quentin [VerfasserIn von ergänzendem Text]; Gifford, E. Melanie [VerfasserIn von ergänzendem Text]
  • Körperschaft: National Gallery of Ireland ; National Gallery of Art ; Musée du Louvre
  • Erschienen: New Haven; London: Yale University Press, [2017]
  • Umfang: XV, 304 Seiten; Illustrationen, Diagramme, Karten; 30 cm
  • Sprache: Englisch
  • ISBN: 0300222939; 9780300229585; 9780300229592; 9780300222937
  • RVK-Notation: LI 92450 : Vermeer van Delft, Jan
  • Schlagwörter: Vermeer van Delft, Jan
    Vermeer van Delft, Jan > Niederlande > Genremalerei > Geschichte 1600-1700
  • Entstehung:
  • Anmerkungen: "This book is published on the occasion of the exhibition: 'Vermeer et les maîtres de la peinture de genre', Musée du Louvre, Paris, 20 February-22 May 2017, 'Vermeer and the masters of genre painting: inspiration and rivalry', National Gallery of Ireland, Dublin, 17 June-17 September 2017, National Gallery of Art, Washington, 22 October 2017-21 January 2018" - Rückseite der Titelseite
    Literaturverzeichnis: Seite 292-298 und Index
  • Beschreibung: "A landmark exploration of the engaging network of relationships among genre painters of the Dutch Golden Age The genre painting of the Dutch Golden Age between 1650 and 1675 ranks among the highest pinnacles of Western European art. The virtuosity of these works, as this book demonstrates, was achieved in part thanks to a vibrant artistic rivalry among numerous first-rate genre painters working in different cities across the Dutch Republic. They drew inspiration from each other's painting, and then tried to surpass each other in technical prowess and aesthetic appeal. The Delft master Johannes Vermeer (1632-1675) is now the most renowned of these painters of everyday life. Though he is frequently portrayed as an enigmatic figure who worked largely in isolation, the essays here reveal that Vermeer's subjects, compositions, and figure types in fact owe much to works by artists from other Dutch cities. Enlivened with 180 superb illustrations, Vermeer and the Masters of Genre Painting highlights the relationships - comparative and competitive - among Vermeer and his contemporaries, including Gerrit Dou, Gerard ter Borch, Jan Steen, Pieter de Hooch, Gabriel Metsu, and Frans van Mieris"--

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