• Medientyp: Buch
  • Titel: Simultaneous worlds : global science fiction cinema
  • Enthält: Introduction / Jennifer Feeley and Sarah Ann WellsIntermediality and new media economies. Scan lines: how cyborgs feel / Thomas Lamarre -- What is estranged in science fiction animation? / Istvan Csicsery-Ronay, Jr -- Famous for fifteen minutes: permutations of science fiction short film / Pawe Frelik -- Forms of journey and archive: remaking science fiction in contemporary artist-filmmakers' projects / Jihoon Kim -- Traveling science fiction: translation, adaptation, and interpretation. Media heterotopias and science fiction: transnational workflows and transgalactic spaces in digitally composited ecosystems / Hye Jean Chung -- F. P. 1 and the language of a global science fiction cinema / J. P. Telotte -- Enthiran, the robot: Sujatha, science fiction, and tamil cinema / Swarnavel Eswaran Pillai -- Spatial and temporal alternative modernities in the global south. Polytemporality in Argentine science fiction film: a critique of the homogenous time of historicism and modernity / Joanna Page -- Virtual immigrants: transfigured bodies and transnational spaces in science fiction cinema / Everett Hamner -- Walking dead in avana: Juan of the dead and the zombie film genre / Emily A. Maguire -- Techno-capitalism and techno-desires: the gendered affect of post-cyborgs. Who does the feeling when there's no body there?: critical feminism meets cyborg affect in Oshii Mamoru's Innocence / Sharalyn Orbaugh -- The invention of romance: Park Chan-Wook's I'm a cyborg, but that's okay / Steve Choe -- A disenchanted fantastic: the pathos of objects in Hirokazu Kore-Eda's Air doll / Michelle Cho -- National, international, intergalactic: socialist and post-socialist science fiction cinema. Alien commodities in Soviet science fiction cinema: Aelita, Solaris, and Kin-dza-dza! / Jillian Porter -- Parodies of realism at the margins of science fiction: Jang Jun-Hwan's Save the green planet and Sin Sang-ok's Pulgasari / Travis workman -- Media and messages: blurred visions of nation and science in Death ray on a coral island / Nathaniel Isaacson.
  • Beteiligte: Feeley, Jennifer [HerausgeberIn]; Wells, Sarah Ann [HerausgeberIn]
  • Erschienen: Minneapolis; London: University of Minnesota Press, [2015]
  • Umfang: xxviii, 315 Seiten; Illustrationen; 23 cm
  • Sprache: Englisch
  • ISBN: 9780816693177; 9780816693184
  • RVK-Notation: AP 53900 : Horrorfilm, Science-Fiction-Film, Utopischer Film
  • Schlagwörter: Science-Fiction > Film
  • Entstehung:
  • Anmerkungen: Includes bibliographical references and index -- Includes filmography (pages 289-294)
  • Beschreibung: Introduction / Jennifer Feeley and Sarah Ann Wells -- Intermediality and new media economies. Scan lines: how cyborgs feel / Thomas Lamarre -- What is estranged in science fiction animation? / Istvan Csicsery-Ronay, Jr -- Famous for fifteen minutes: permutations of science fiction short film / Pawe Frelik -- Forms of journey and archive: remaking science fiction in contemporary artist-filmmakers' projects / Jihoon Kim -- Traveling science fiction: translation, adaptation, and interpretation. Media heterotopias and science fiction: transnational workflows and transgalactic spaces in digitally composited ecosystems / Hye Jean Chung -- F. P. 1 and the language of a global science fiction cinema / J. P. Telotte -- Enthiran, the robot: Sujatha, science fiction, and tamil cinema / Swarnavel Eswaran Pillai -- Spatial and temporal alternative modernities in the global south. Polytemporality in Argentine science fiction film: a critique of the homogenous time of historicism and modernity / Joanna Page -- Virtual immigrants: transfigured bodies and transnational spaces in science fiction cinema / Everett Hamner -- Walking dead in avana: Juan of the dead and the zombie film genre / Emily A. Maguire -- Techno-capitalism and techno-desires: the gendered affect of post-cyborgs. Who does the feeling when there's no body there?: critical feminism meets cyborg affect in Oshii Mamoru's Innocence / Sharalyn Orbaugh -- The invention of romance: Park Chan-Wook's I'm a cyborg, but that's okay / Steve Choe -- A disenchanted fantastic: the pathos of objects in Hirokazu Kore-Eda's Air doll / Michelle Cho -- National, international, intergalactic: socialist and post-socialist science fiction cinema. Alien commodities in Soviet science fiction cinema: Aelita, Solaris, and Kin-dza-dza! / Jillian Porter -- Parodies of realism at the margins of science fiction: Jang Jun-Hwan's Save the green planet and Sin Sang-ok's Pulgasari / Travis workman -- Media and messages: blurred visions of nation and science in Death ray on a coral island / Nathaniel Isaacson

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