• Medientyp: Buch
  • Titel: Vertov, Snow, Farocki : machine vision and the posthuman
  • Enthält: IntroductionThreshold when a ritual process speaks of machine vision and cyborg prototypes: a film document, circa 1929 -- Manufacturing vision and the posthuman circa 1929: Kino-eye, The man with a movie camera, and the perceptual reconstruction of social identity -- Enigma of the central region. A microhistory of machine vision and posthuman consciousness, circa 1969-1972 -- Basic cultural, technical and formal filiations -- Toward a cosmic rite of passage: external & internal locations and a play of authorship -- Liminality, knowledge production, pedagogy -- From cosmic to posthuman rite of passage -- De La (1969-71): authorship, automation and the posthuman -- A comparative schematic analysis of the automated narrative and its mechanical logic in Vertov's The man with a movie camera (1929) and Michael Snow's De La (1969-1972) -- The public deployment of machine vision and the programmed materialization of the posthuman in collective social space -- Early twenty-first century video documents -- A posthuman future in the age of the algorithm: Farocki's documentation of the operational image and its culture of surveillance.
  • Beteiligte: Tomas, David [VerfasserIn]
  • Erschienen: New York; London; New Delhi; Sydney: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2015
  • Ausgabe: First published in paperback
  • Umfang: 293 Seiten; Illustrationen, Diagramme
  • Sprache: Englisch
  • ISBN: 9781501307294
  • RVK-Notation: AP 54200 : Absoluter Film
  • Schlagwörter: Vertov, Dziga > Snow, Michael > Farocki, Harun > Experimentalfilm > Videokunst > Medientheorie
  • Entstehung:
  • Anmerkungen: Literaturverzeichnis: Seiten 281-286

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  • Status: Ausleihbar