• Medientyp: Buch; unbewegtes Bild; Ausstellungskatalog; Bildband
  • Titel: Boltanski : souls : from place to place
  • Enthält: A conversation with Christian Boltanski Villa Medici, 22 April 2017 / Danilo Eccher
    Absence, presence and phenomenology of memory in Christian Boltanski's work / Mattia Fumanti
    A light redemption of things / Giancarlo Gaeta
    Business cards / Christophe Boltanski
    Pleine Nuit / Laurence Sigal
    Appendix
  • Beteiligte: Boltanski, Christian [InterviewteR]; Eccher, Danilo [InterviewerIn]; Fumanti, Mattia [VerfasserIn]; Gaeta, Giancarlo [VerfasserIn]; Vercellone, Federico [VerfasserIn]; Sigal-Klagsbald, Laurence [VerfasserIn]
  • Erschienen: Cinisello Balsamo, Milan: SilvanaEditoriale, [2017]
  • Umfang: 187 Seiten; 25 cm
  • Sprache: Englisch
  • ISBN: 9788836637645; 8836637647
  • RVK-Notation: LI 17130 : Boltanski, Christian
  • Schlagwörter: Boltanski, Christian
    Boltanski, Christian > Installation > Lichtinstallation
  • Entstehung:
  • Anmerkungen: "Published on the occassion of the Christian Boltanski retrospective Anime. Di luogo in luogo, organized at the MAMbo - Museo d'Arte Moderna di Bologna in connection with the special project by the same name dedicated to the artist by the city of Bologna"--Title page verso. - Includes bibliographical references
  • Beschreibung: This volume travels through the most important moments and crossroads in the lifetime and career of Christian Boltanski, which have led him into reflecting upon the outcome of some historical events during the twentieth century and on the need to reconsider appropriate representation methods. History, histories and the statute of the image are the fulcrum of the conversation being proposed. In particular, this conversation deals with some fundamental themes: the difference between collective memory, recollection and oblivion; relations between the individual and the crowd; the entity of absence, intended as proof of a destroyed presence, but also as device for the reactivation of memory; the incidence of an isolated glance, that of the observer, upon whose primacy the history of western art has constructed its foundations. Exhibition: MAMbo, Bologna, Italy (26.06.-12.11.2017)

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