• Medientyp: Buch
  • Titel: Pastiche : cultural memory in art, film, literature
  • Beteiligte: Hoesterey, Ingeborg [VerfasserIn]
  • Erschienen: Bloomington; Indianapolis: Indiana University Press, [2001]
  • Umfang: xiii, 138 Seiten; Illustrationen; 24 cm
  • Sprache: Englisch
  • ISBN: 0253338808; 0253214459
  • RVK-Notation: CC 6900 : Abhandlungen zur Ästhetik und Kunstphilosophie
    EC 5900 : Allgemeines
  • Schlagwörter: Postmoderne > Pastiche
    Postmoderne > Pasticcio
    Pastiche > Literatur > Postmoderne
    Pasticcio > Kunst > Film > Postmoderne
    Pastiche > Pasticcio > Geschichte
  • Entstehung:
  • Anmerkungen: Literaturverzeichnis: Seiten 127-132
  • Beschreibung: Traces the rise of the pastiche in the arts and popular culture. In the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. Postmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the Shock of the Newʺ orin the case of architectsthe functionalism of the International style.

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