• Medientyp: Buch; Konferenzbericht
  • Titel: Urban art and the city : creating, destroying, and reclaiming the sublime
  • Beteiligte: Lukakē, Argyrō B. [HerausgeberIn]
  • Körperschaft: Archaiologikon Museion tēs Akropoleōs
  • Erschienen: London; New York: Routledge, Taylor & Francis Group, 2021
  • Erschienen in: Routledge Critical studies in urbanism and the city
  • Umfang: xviii, 245 Seiten; Illustrationen
  • Sprache: Englisch
  • ISBN: 9780367132965; 0367132966
  • RVK-Notation: LH 65020 : Gesamtdarstellungen mit Beschränkung auf ein bestimmtes Thema (z.B. Figurdarstellung, soweit verschiedene Kunstgattungen übergreifend)
  • Schlagwörter: Stadt > Öffentlicher Raum > Kunst > Geschichte -2019
  • Entstehung:
  • Anmerkungen: Acknowledgments: "the chapters of the book include, in revised form, a number of papers presented at the International Conference Art and the City which took place in the Acropolis Museum on March 17 and 18, 2017."
  • Beschreibung: This book offers original interdisciplinary insights into cities as a diachronic creation of urban art. It engages in a sequence of historical perspectives to examine urban space as an object of apparent quasi-cycles and processes of constitution, exaltation, imitation, contestation and redemption through art. Urban art transforms the city into a human-made sublime which is explored in the context of the Eastern Mediterranean. The book probes this process primarily through the example of Athens and Byzantine Constantinople, but also Jerusalem, Cyprus and regional cities, revealing how urban space unavoidably encompasses a spatial and temporal palimpsest which is constantly emerging. It presents new ideas for both the theorization and sensuous conception of artistic reality, architecture, and planning attributes. These extend from archaic, classical and Byzantine urban splendour to current urban decline as constitution and attack on the sublime and back. Urban processes of contestation and redemption respond recently to the new ?imperialism of debt? and the positivist, technocratic understandings and demands of Euro-governments and neoliberal institutions, while still evoking older forms of spatial power. Offering fresh notions on art, architecture, space, antiquity, (post)-modernity and politics of the region, this book will appeal to scholars and students of geography, urban studies, art, restoration, and film theory, architecture, landscape design, planning, anthropology, sociology and history

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